The Quaker Tapestry consists of 77 panels illustrating the history of Quakerism from the 17th century up to the present day. The idea of Quaker Anne Wynn-Wilson, the tapestry has a permanent home at the Friends Meeting House at Kendal, Cumbria, England.
The design was heavily influenced by the Bayeux Tapestry, and includes similar design choices, including three horizontal divisions within panels, embroidered outlines for faces and hands, and solid infilling of clothing, which is embroidered in the Bayeux Technique. The tapestry is worked in crewel embroidery using woolen yarns on a handwoven woolen background. In addition to using four historic and well-known stitches (Split Stitch, Stem Stitch, Chain Stitch, and Peking Knot), Wynn-Wilson invented a new corded stitch, known as Quaker Stitch, to allow for tight curves on the lettering.
Each panel measures 25 inches wide by 21 inches tall.
4,000 men, women and children from 15 countries worked on the panels between 1981 and 1989.
Panels have been toured in traveling exhibitions including a North American tour in 1993/1994. An exhibition of 39 panels in Ely Cathedral in 2012 attracted 11,273 visitors during its 27 day stay.
Read more about Quaker Tapestry: List of The Panels, Recommended Reading
Famous quotes containing the words quaker and/or tapestry:
“this old Quaker graveyard where the bones
Cry out in the long night for the hurt beast
Bobbing by Ahab’s whaleboats in the East.”
—Robert Lowell (1917–1977)
“From infancy, a growing girl creates a tapestry of ever-deepening and ever- enlarging relationships, with her self at the center. . . . The feminine personality comes to define itself within relationship and connection, where growth includes greater and greater complexities of interaction.”
—Jeanne Elium (20th century)