Access
FirstPlay (previously known as Official PlayStation Magazine HD or OPMHD) was an electronic magazine similar to Qore, produced by Future Publishing. Released in April 2010, it is available to PlayStation 3 users via the PlayStation Store in the UK. Like Qore, FirstPlay offered exclusive videos, demos and downloads. but is released weekly instead of monthly. In July 2011 SCEE announced that the FirstPlay service was to end, leaving the 6th July episode as the final FirstPlay to be released. The announcement went on to confirm that a new, then yet-to-be-named service would replace FirstPlay, its focus shifting to SCEE's PlayStation Access events. Access is produced by Future Publishing and delivered via the PSN Store, however unlike its predecessor, is free of charge.
Read more about this topic: Qore (Play Station Network)
Famous quotes containing the word access:
“Power, in Case’s world, meant corporate power. The zaibatsus, the multinationals ..., had ... attained a kind of immortality. You couldn’t kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder; assume the vacated position, access the vast banks of corporate memory.”
—William Gibson (b. 1948)
“The Hacker Ethic: Access to computers—and anything which might teach you something about the way the world works—should be unlimited and total.
Always yield to the Hands-On Imperative!
All information should be free.
Mistrust authority—promote decentralization.
Hackers should be judged by their hacking, not bogus criteria such as degrees, age, race, or position.
You can create art and beauty on a computer.
Computers can change your life for the better.”
—Steven Levy, U.S. writer. Hackers, ch. 2, “The Hacker Ethic,” pp. 27-33, Anchor Press, Doubleday (1984)
“The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes—McCarthy and Stalin—that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.”
—Ishmael Reed (b. 1938)