Q and Not U - Music

Music

John Davis, Harris Klahr, Christopher Richards, and Matt Borlik formed Q and Not U in the summer of 1998 and began playing shows in the D.C. area later that November. They released their first album, No Kill No Beep Beep, in late 2000. It was marked by strongly rhythmic compositions with dissonant guitar and bass, though each song was built around unique melodies and danceable beats that cut through and rode on top of the swells of noise. Several reviewers described the music as "catchy", and this quality of oblique yet upbeat and endearing musicality would be a trademark of the band's future work, setting them apart from their aurally less forgiving D.C. hardcore peers and bringing them more into line with the budding dance-punk scene.

Following extensive touring in 2000 and 2001, alongside bands like Engine Down, Milemarker, Ted Leo and The Pharmacists, and El Guapo, bassist Borlik was dismissed in November 2001. His absence prompted a more slimmed-down sound as reflected in 2002's Different Damage. Guitarist Richards occasionally took a turn on bass guitar or keyboard and Klahr also incorporated keyboards, as well as a baritone guitar, though they left bass instruments out of some songs altogether, and the album is instead driven by ever-more complex and propulsive dance beats, razor sharp guitar licks ("So Many Animal Calls", "When the Lines Go Down"), and pronounced use of multiple overlapping vocals from each member of the band ("Snow Patterns", "No Damage Nocturne"). The album also expanded upon the small patches of hushed tapping cultivated on No Kill... ("We Heart Our Hive") into fully grown bodies of delicate rhythm ("Soft Pyramids"). The band toured extensively following the release, making their way through the U.S., Europe, Canada, and Japan.

While Different Damage pulled a lot of sound out of very little equipment, the band put together Power (2004) using a greater variety of instruments, most notably synths, melodicas and recorders and integrated these new sounds into more delicate, multi-faceted, and ever-more variegated songs. The use of guttural and aggressive bass synth rafts on "Wonderful People" and other songs is especially prominent and adds greater depth to the songs, as well as giving heightened value to the bass-less, jangly interludes throughout the album. The tensed and urgent vocal delivery that had been part of each previous release was also pushed to new limits, now developing into falsetto ("Throw Back Your Head") and startling choral arrangements ("District Night Prayer") that had been previously unexplored.