Puerto Rico - Culture

Culture

Main article: Culture of Puerto Rico See also: Cuisine of Puerto Rico and Music of Puerto Rico

Modern Puerto Rican culture is a unique mix of cultural antecedents, including African, Taíno (Amerindians), Spanish, and more recently, North American.

From the Spanish Puerto Rico received the Spanish language, the Catholic religion and the vast majority of their cultural and moral values and traditions. The United States added English language influence, the university system and the adoption of some holidays and practices. On March 12 1903, the University of Puerto Rico was officially founded, branching out from the "Escuela Normal Industrial", a smaller organism that was founded in Fajardo three years before.

Much of Puerto Rican culture centers on the influence of music. Like the country as a whole, Puerto Rican music has been developed by mixing other cultures with local and traditional rhythms. Early in the history of Puerto Rican music, the influences of African and Spanish traditions were most noticeable. However, the cultural movements across the Caribbean and North America have played a vital role in the more recent musical influences that have reached Puerto Rico.

The official symbols of Puerto Rico are the Reinita mora or Puerto Rican Spindalis (a type of bird), the Flor de Maga (a type of flower), and the Ceiba or Kapok (a type of tree). The unofficial animal and a symbol of Puerto Rican pride is the Coquí, a small frog. Other popular symbols of Puerto Rico are the "jíbaro", the "countryman", and the carite.

Read more about this topic:  Puerto Rico

Famous quotes containing the word culture:

    Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing culture in our land.
    Mao Zedong (1893–1976)

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)

    The aggregate of all knowledge has not yet become culture in us. Rather it would seem as if, with the progressive scientific penetration and dissection of reality, the foundations of our thinking grow ever more precarious and unstable.
    Johan Huizinga (1872–1945)