Relationship With Derivative Works
Derivative works include translations, musical arrangements, and dramatizations of a work, as well as other forms of transformation or adaptation. Copyrighted works may not be used for derivative works without permission from the copyright owner, while public domain works can be freely used for derivative works without permission. Artworks that are public domain may also be reproduced photographically or artistically or used as the basis of new, interpretive works. Once works enter into the public domain, derivative works such as adaptations in book and film may increase noticeably, as happened with Frances Hodgson Burnett's novel The Secret Garden, which became public domain in 1987. As of 1999, the plays of Shakespeare, all public domain, had been used in more than 420 feature-length films. In addition to straightforward adaptation, they have been used as the launching point for transformative retellings such as Tom Stoppard's Rosencrantz and Guildenstern Are Dead and Troma Entertainment's Tromeo and Juliet. Marcel Duchamp's L.H.O.O.Q. is a derivative of Leonardo Da Vinci's Mona Lisa, one of thousands of derivative works based on the public domain painting.
Read more about this topic: Public Domain
Famous quotes containing the words relationship with, relationship, derivative and/or works:
“Henry David Thoreau, who never earned much of a living or sustained a relationship with any woman that wasn’t brotherly—who lived mostly under his parents’ roof ... who advocated one day’s work and six days “off” as the weekly round and was considered a bit of a fool in his hometown ... is probably the American writer who tells us best how to live comfortably with our most constant companion, ourselves.”
—Edward Hoagland (b. 1932)
“If one could be friendly with women, what a pleasure—the relationship so secret and private compared with relations with men. Why not write about it truthfully?”
—Virginia Woolf (1882–1941)
“Poor John Field!—I trust he does not read this, unless he will improve by it,—thinking to live by some derivative old-country mode in this primitive new country.... With his horizon all his own, yet he a poor man, born to be poor, with his inherited Irish poverty or poor life, his Adam’s grandmother and boggy ways, not to rise in this world, he nor his posterity, till their wading webbed bog-trotting feet get talaria to their heels.”
—Henry David Thoreau (1817–1862)
“For thou hast made him a little lower than the angels, and hast
crowned him with glory and honor.
Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)