Public Address - Large Venue Systems

Large Venue Systems

For popular music concerts, a more powerful and more complicated PA System is used to provide live sound reproduction. In a concert setting, there are typically two complete PA systems: the "main" system and the "monitor" system. Each system consists of microphones, a mixing board, sound processing equipment, amplifiers, and speakers.

  • The "main" system (also known as "Front of House", commonly abbreviated FOH), which provides the amplified sound for the audience, will typically use a number of powerful amplifiers driving a range of large, heavy-duty loudspeakers including low-frequency speaker cabinets called subwoofers, full-range speaker cabinets, and high-range horns. A large club may use amplifiers to provide 3000 to 5000 watts of power to the "main" speakers; an outdoor concert may use 10,000 or more watts.
  • The "monitor" system reproduces the sounds of the performance and directs them towards the onstage performers (typically using wedge-shaped monitor speaker cabinets), to help them to hear the instruments and vocals. In British English, the monitor system is referred to as the "foldback". The monitor system in a large club may provide 500 to 1000 watts of power to several foldback speakers; at an outdoor concert, there may be several thousand watts of power going to the monitor system.

At a concert in which live sound reproduction is being used, sound engineers and technicians control the mixing boards for the "main" and "monitor" systems, adjusting the tone, levels, and overall volume of the performance.

Touring productions will travel with relocatable large line-array PA systems, sometimes rented from an audio equipment hire company. The sound equipment moves from venue to venue along with various other equipment such as lighting and projection.

Read more about this topic:  Public Address

Famous quotes containing the words large and/or systems:

    He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.
    Sarah Fielding (1710–1768)

    I am beginning to suspect all elaborate and special systems of education. They seem to me to be built up on the supposition that every child is a kind of idiot who must be taught to think.
    Anne Sullivan (1866–1936)