Gaze
In the early 1970s, Christian Metz and Laura Mulvey separately explored aspects of the "gaze" in the cinema, Metz stressing the viewer's identification with the camera's vision, - an identification largely "constructed" by the film itself - and Mulvey the fetishistic aspects of (especially) the male viewer's regard for the onscreen female body.
The viewing subject may be offered particular identifications (usually with a leading male character) from which to watch. The theory stresses the subject's longing for a completeness which the film may appear to offer through identification with an image, although Lacanian theory also indicates that identification with the image is never anything but an illusion and the subject is always split simply by virtue of coming into existence (Aphanisis).
Read more about this topic: Psychoanalytical Film Theory
Famous quotes containing the word gaze:
“... here, where the gaze is stopped everywhere, the whole earth is designed so that the face turns upward and the gaze implores. Oh! I hate this world where we are reduced to God.”
—Albert Camus (1913–1960)
“Though I knit my brow,
my gaze is fixed
longingly
anyway.
Though I check my tongue,
this tortured face of mine
dissolves in a smile.
Though I drive my heart to hardness,
my body bears
the gooseflesh
of desire.
When I see that man,
how on earth
can my anger
survive?”
—Amaru (c. seventh century A.D.)
“Anyone who seeks for the true causes of miracles, and strives to understand natural phenomena as an intelligent being, and not to gaze at them like a fool, is set down and denounced as an impious heretic by those, whom the masses adore as the interpreters of nature and the gods. Such persons know that, with the removal of ignorance, the wonder which forms their only available means for proving and preserving their authority would vanish also.”
—Baruch (Benedict)