Gaze
In the early 1970s, Christian Metz and Laura Mulvey separately explored aspects of the "gaze" in the cinema, Metz stressing the viewer's identification with the camera's vision, - an identification largely "constructed" by the film itself - and Mulvey the fetishistic aspects of (especially) the male viewer's regard for the onscreen female body.
The viewing subject may be offered particular identifications (usually with a leading male character) from which to watch. The theory stresses the subject's longing for a completeness which the film may appear to offer through identification with an image, although Lacanian theory also indicates that identification with the image is never anything but an illusion and the subject is always split simply by virtue of coming into existence (Aphanisis).
Read more about this topic: Psychoanalytical Film Theory
Famous quotes containing the word gaze:
“A gorgeous example of denial is the story about the little girl who was notified that a baby brother or sister was on the way. She listened in thoughtful silence, then raised her gaze from her mother’s belly to her eyes and said, “Yes, but who will be the new baby’s mommy?””
—Judith Viorst (20th century)
“Hence anyone who seeks for the true cause of miracles, and strives to understand natural phenomena as an intelligent being, and not to gaze at them as a fool, is set down and denounced as a impious heretic by those, whom the masses adore as the interpreters of nature and the gods.”
—Baruch (Benedict)
“It is only when we are very happy that we can bear to gaze merrily upon the vast and limitless expanse of water, rolling on and on with such persistent, irritating monotony, to the accompaniment of our thoughts, whether grave or gay. When they are gay, the waves echo their gaiety; but when they are sad, then every breaker, as it rolls, seems to bring additional sadness, and to speak to us of hopelessness and of the pettiness of all our joys.”
—Emmuska, Baroness Orczy (1865–1947)