Medieval Misunderstandings
During the medieval period Saint Dionysius the Areopagite and Saint Denis of Paris were considered to be the same "Dionysius" who had been converted by Saint Paul in Acts 17:34. Medieval tradition held that Saint Dionysius the Areopagite had traveled to Rome and then was commissioned by the Pope to preach in Gaul (France), where he was martyred. This confusion of historical detail was compounded by the common acceptance of Pseudo-Dionysius's writings as the authentic work of the Biblical Dionysius of Acts 17:34. The great Abbey of Saint-Denis just north of Paris claimed to have the relics of Dionysius. Around 1121, Pierre Abélard, a Benedictine monk at Saint Denis Basilica, turned his attention to the story of their patron saint, and disentangled the three different Dionysiuses. The monks were offended at the apparent demotion of Saint Denis, and Abélard did not remain long at Saint Denis. The confusion over the text might stem from the text being an oral tradition (declamatio) that was only at a later date finally put to record. According to the Stanford Encyclopedia of Philosophy "It must also be recognized that 'forgery' is a modern notion. Like Plotinus and the Cappadocian Fathers before him, Dionysius does not claim to be an innovator, but rather a communicator of a tradition."
The monastery of St. Denis, which had inadvertently conflated the two Dionysiuses, had a good Greek edition of Pseudo-Dionysius's works given to them by Charles the Bald, which was translated into Latin by John Scotus Eriugena in the late 9th century. This translation widely popularized both Pseudo-Dionysius' teaching and his explanation of the angels.
Read more about this topic: Pseudo-Dionysius The Areopagite
Famous quotes containing the word medieval:
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)