Professional Wrestling Attacks

Professional Wrestling Attacks

Attacking maneuvers are offensive moves in professional wrestling, used to set up an opponent for a submission hold or for a throw. There are a wide variety of attacking moves in pro wrestling, and many moves are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.

Professional wrestling contains a variety of punches and kicks found in martial arts and other fighting sports; the moves listed below are more specific to wrestling itself. Many of the moves below can also be performed from a raised platform (the top rope, the ring apron, etc.); these are called aerial variations. Moves are listed under general categories whenever possible.

Read more about Professional Wrestling Attacks:  Bell Clap, Body Press, Bronco Buster, Clothesline, Double Axe Handle, Drops, Elbow, Facewash, Forearm Club, Forearm Smash, Headbutt, Knee Strikes, Hip Attack, Lariat, Leapfrog Body Guillotine, Punch, Senton, Shoulder Block, Standing Moonsault, Standing Shooting Star Press, Stink Face, Uppercut, Weapon Shot, Transition Moves, Illegal Attacks

Famous quotes containing the words professional, wrestling and/or attacks:

    Smoking ... is downright dangerous. Most people who smoke will eventually contract a fatal disease and die. But they don’t brag about it, do they? Most people who ski, play professional football or drive race cars, will not die—at least not in the act—and yet they are the ones with the glamorous images, the expensive equipment and the mythic proportions. Why this should be I cannot say, unless it is simply that the average American does not know a daredevil when he sees one.
    Fran Lebowitz (b. 1950)

    There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
    Roland Barthes (1915–1980)

    We are supposed to be the children of Seth; but Seth is too much of an effete nonentity to deserve ancestral regard. No, we are the sons of Cain, and with violence can be associated the attacks on sound, stone, wood and metal that produced civilisation.
    Anthony Burgess (b. 1917)