Main Characters
- Sharlene San Pedro as Sarah Crewe
- Albert Martinez as Captain Cristopher Crewe - the father of Sarah. Envied by other pirates for his discovered treasure map, he will soon be placed in a situation between life and death matters.
- Sheryl Cruz as Miss Maria Minchin - the owner and headmistress of the boarding school where Sarah stays. Maria Minchin has the strongest personality in the house. She's blinded by the shine of richness. Also she's Lavinia's biological mother
- Ai Ai delas Alas as Rama Dass (a female character of Ram Dass)- is a native woman who often visits the city. In her tribe, she has high reputations and later will come to Captain Crewes side for help. Ram Dass is the male character in the original story.
- Candy Pangilinan as Miss Amelia Minchin - the kind hearted sister of the cruel Miss Minchin; her sister often bullies her but at the end of the story, Amelia will make a stand against her dominating sister.
- Diether Ocampo as Master Brandon Crissford - one of the friends of Captain Crewe; Brandon lives next door to the boarding school where Sarah works as a maid.
- Sophia Baars as Lavinia Minchin Herbert - Sarah's rival on the school. She does everything to make Sarah's life as miserable as possible. As the series progress, secrets about her family will be revealed and her manners will be justified.
- Carlos Agassi as Phillip Burrose - the main villain of the series. Deviant to the original story, the series main villain crown was shifted to Mr. Burrows - "a play on the character Mr. Barrow of the original one." He will held Crewe captive for a long time for the latter to surrender a map the former failed to retrieve during their expedition. He will black mail the boarding school headmistress for the sake of money. In connection, Ms. Minchin's character serves as a bit humorousand lighter form of a villain.
Read more about this topic: Princess Sarah (TV Series), Cast and Characters
Famous quotes containing the words main and/or characters:
“So long as war is the main business of nations, temporary despotism—despotism during the campaign—is indispensable.”
—Walter Bagehot (1826–1877)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)