Architecture
The museum building is situated in 3 acres (12,000 m2) area, having a built up area of 12,142.23 sq.m. The museum building is surrounded by a garden of palm trees and formal flower beds.
The museum building, built of basalt and kurla stone, is a three-storied rectangular structure, capped by a dome set upon a base, which adds an additional storey in the centre of the building. Built in the Western Indian and Indo-Saracenic style of architecture, the building accommodates a central entrance porch, above which rises a dome, "tiled in white and blue flecks, supported on a lotus - petal base". A cluster of pinnacles, topped with miniature domes surround the central dome. The building incorporates features like Islamic dome with a finial along with protruding balconies and inlaid floors, inspired by Mughal palace architecture. The architect, George Wittet, modeled the dome on that of Golconda Fort and the inner vaulting arches on those at the Gol Gumbaz in Bijapur. The interior of the museum combines the columns, railings and balcony of an 18th century Wada (a Maratha mansion) with Jain style interior columns, which form the main body of the central pavilion below the Maratha balcony.
In its recent modernization programme (2008), the Museum created 30,000 sq ft (2,800 m2) space for installation of five new galleries, a conservation studio, a visiting exhibition gallery and a seminar room, in the East Wing of the Museum. The Museum also houses a library.
Read more about this topic: Prince Of Wales Museum
Famous quotes containing the word architecture:
“Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.”
—Ralph Waldo Emerson (1803–1882)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“No architecture is so haughty as that which is simple.”
—John Ruskin (1819–1900)