Prince Eugene of Savoy - Patron of The Arts

Patron of The Arts

Eugene's rewards for his victories, his share of booty, his revenues from his abbeys in Savoy, and a steady income from his Imperial offices and governorships, enabled him to contribute to the landscape of baroque architecture. Eugene spent most of his life in Vienna at his Winter Palace, the Stadtpalais, built by Fischer von Erlach. The palace acted as his official residence and home, but for reasons that remain speculative the Prince's association with Fischer ended before the building was complete, favouring instead Johann Lukas von Hildebrandt as his chief architect. Eugene first employed Hildebrandt to finish the Stadtpalais before commissioning him to prepare plans for a palace on his Danubian island at Ráckeve. Began in 1701 the single-story building took twenty years to complete; yet, probably because of the Rákóczi revolt, the Prince seems to have visited it only once – after the siege of Belgrade in 1717.

Of more importance was the grandiose complex of the two Belvedere palaces in Vienna. The single-storey Lower Belvedere, with its exotic gardens and zoo, was completed in 1716. The Upper Belvedere, completed between 1720 and 1722, is a more substantial building; with sparkling white stucco walls and copper roof it became a wonder of Europe. Eugene and Hildebrandt also converted an existing structure on his Marchfeld estate into a country seat, the Schlosshof, situated between the Rivers Danube and Morava. The building, completed in 1729, was far less elaborate than his other projects but it was strong enough to serve as a fortress in case of need. Eugene spent much of his spare time there in his last years accommodating large hunting parties.

In the years following the Peace of Rastatt Eugene became acquainted with a large number of scholarly men. Given his position and responsiveness they were keen to meet him: few could exist without patronage and this was probably the main reason for Gottfried Leibniz's association with him in 1714. Eugene also befriended the French writer Jean-Baptiste Rousseau who, by 1716, was receiving financial support from Eugene. Rousseau stayed on attached to the Prince's household, probably helping in the library, until he left for the Netherlands in 1722. Another acquaintance, Montesquieu, already famous for his Persian Letters when he arrived in Vienna in 1728, favourably recalled his time spent at the Prince's table. Nevertheless, Eugene had no literary pretensions of his own, and was not tempted like Maurice de Saxe or Marshal Villars to write his memoirs or books on the art of war. He did, however, become a collector on the grandest scale: his picture galleries were filled with 16th and 17th century Italian, Dutch and Flemish art; his library at the Stadtpalais crammed with over 15,000 books, 237 manuscripts as well as a huge collection of prints (of particular interest were books on natural history and geography). "It is hardly believable," wrote Rousseau, "that a man who carries on his shoulders the burden of almost all the affairs of Europe … should find as much time to read as though he had nothing else to do." At Eugene's death his possessions and estates, except those in Hungary which the crown reclaimed, went to his niece, Princess Maria Anna Victoria, who at once decided to sell everything. The artwork was bought by Charles Emmanuel III of Sardinia. Eugene's library, prints and drawings were purchased by the Emperor in 1737 and have since passed into Austrian national collections.