Primary Color

Primary Color

Primary colors are sets of colors that can be combined to make a useful range of colors. For human applications, three primary colors are usually used, since human color vision is trichromatic.

For additive combination of colors, as in overlapping projected lights or in CRT displays, the primary colors normally used are red, green, and blue. For subtractive combination of colors, as in mixing of pigments or dyes, such as in printing, the primaries normally used are cyan, magenta, and yellow, though the set of red, yellow, blue is popular among artists. See RGB color model, CMYK color model, and RYB color model for more on these popular sets of primary colors.

Any particular choice for a given set of primary colors is derived from the spectral sensitivity of each of the human cone photoreceptors; three colors that fall within each of the sensitivity ranges of each of the human cone cells are red, green, and blue. Other sets of colors can be used, though not all will well approximate the full range of color perception. For example, an early color photographic process, autochrome, typically used orange, green, and violet primaries. However, unless negative amounts of a color are allowed the gamut will be restricted by the choice of primaries.

The combination of any two primary colors creates a secondary color.

The most commonly used additive color primaries are the secondary colors of the most commonly used subtractive color primaries, and vice versa.

Read more about Primary Color:  Biological Basis, Additive Primaries, Subtractive Primaries, Psychological Primaries

Famous quotes containing the words primary and/or color:

    It was the feeling of a passenger on an ocean steamer whose mind will not give him rest until he has been in the engine-room and talked with the engineer. She wanted to see with her own eyes the action of primary forces; to touch with her own eyes the action of primary forces; to touch with her own hand the massive machinery of society; to measure with her own mind the capacity of the motive power. She was bent upon getting to the heart of the great American mystery of democracy and government.
    Henry Brooks Adams (1838–1918)

    ... it is not the color of the skin that makes the man or the woman, but the principle formed in the soul. Brilliant wit will shine, come from whence it will; and genius and talent will not hide the brightness of its lustre.
    Maria Stewart (1803–1879)