Practical Magic - Music

Music

Practical Magic

photo by Suzanne Tenner
Soundtrack album by Various artists
Released October 6, 1998 (original pressing)
Recorded August 15–16, 1998, Abbey Road Studios (Michael Nyman tracks)
Genre Soundtrack, Pop, Minimalism, Orchestral
Length 56:58 (Nyman pressing)
Language English
Label Reprise/WEA
Producer Danny Bramson, Sandra Bullock
Michael Nyman chronology
Strong on Oaks, Strong on the Causes of Oaks
1998
Practical Magic
1998
Ravenous
1999
Alan Silvestri chronology
The Parent Trap
1998
Practical Magic
1998
Stuart Little
1999

Composer Michael Nyman's score to the movie was abruptly replaced with music by Alan Silvestri for the theatrical release. This last-minute change resulted in the release of two soundtracks, although as primarily a compilation album, only the two tracks of newly-created material were changed. A 50-track demo (the last two tracks being "Convening the Coven" and "Maria Owens") of Nyman's score has been circulating among fans as a bootleg. The complete Nyman score runs 62:30 and contains music that would later appear, in altered form, in Ravenous and The Actors, as well as a bit of his stepwise chord progression theme from Out of the Ruins/String Quartet No. 3/Carrington/The End of the Affair/The Claim. "Convening the Coven," though not "Maria Owens," was subsequently reissued on The Very Best of Michael Nyman: Film Music 1980–2001, and music that uses material related to this piece has not been used elsewhere.

Singer Stevie Nicks headlined the soundtrack's published advertisements, promoting her songs "If You Ever Did Believe" and a new recording of her song "Crystal", both songs featuring Sheryl Crow on back-up vocals.

Read more about this topic:  Practical Magic

Famous quotes containing the word music:

    The music is in minors.
    Gwendolyn Brooks (b. 1917)

    I am advised to give her music a’ mornings; they say it will
    penetrate.
    William Shakespeare (1564–1616)

    His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.
    Henry David Thoreau (1817–1862)