Potsdamer Platz - Early Days

Early Days

As a physical entity, Potsdamer Platz began as a few country roads and rough tracks fanning out from the Potsdam Gate. According to one old guide book, it was never a proper platz, but a five-cornered traffic knot on that old trading route across Europe. Just inside the gate was a large octagonal area, created at the time of Friedrichstadt's expansion in 1732-4 and bisected by Leipziger Straße; this was one of several parade grounds for the thousands of soldiers garrisoned in Berlin at the height of the Kingdom of Prussia. Initially known appropriately as the Achteck (Octagon), on 15 September 1814 it was renamed Leipziger Platz after the site of Prussia's final decisive defeat of Napoleon Bonaparte at the Battle of Leipzig, 16–19 October 1813, which brought to an end the Wars of Liberation that had been going on since 1806. The Potsdam Gate itself was redesignated the Leipziger Tor (Leipzig Gate) around the same time, but reverted to its old name a few years later.

The history of Leipziger Platz has been inextricably linked with that of its neighbour almost since its creation (indeed, Potsdamer Platz and Leipziger Platz, being side by side, have frequently been regarded and discussed as being all one entity). Yet their respective stories have in many ways been very different. The future Potsdamer Platz was most definitely outside Berlin, and therefore not subject to the planning guidelines and constraints that would normally be expected in a city keen to show itself off as the capital of an empire. It grew very rapidly in a piecemeal and haphazard way, and came to epitomise wildness and excess in a manner that contributed much to its legendary status. Leipziger Platz however, was inside the city (and had a name almost a century before its neighbour did), and always had an orderly, disciplined look about it. After all, it had been planned and built all in one go by Johann Philipp Gerlach. One late 18th century artistic depiction shows a range of buildings relentless in their uniformity. Indeed this, together with the grid pattern of the streets, is what one would expect in Prussia’s chief garrison city. One writer of the time said that a stroll round Friedrichstadt was like walking round military barracks. In this respect the Potsdam Gate was a dividing line between two different worlds. It was not until later on that many of these buildings began to be replaced by edifices of architectural magnificence, around Leipziger Platz, along Leipziger Straße which bisected it, and also Wilhelmstraße. Eventually these streets became lined with important historical palaces and aristocratic mansions.

By this time however, Leipziger Platz was no longer a parade ground, and there had been much speculation about a possible complete redesign for the whole area. Back in 1797 had come the first of two proposed schemes that would have afforded the future Potsdamer Platz the appearance of a proper square. Under both schemes the old rural intersection just outside the Potsdam Gate, and the Octagon (Leipziger Platz) just inside, were to be joined together to create a long rectangular space, with a gargantuan edifice standing in the middle of it. The 1797 scheme came from the renowned Prussian architect Friedrich David Gilly (1772–1800), who proposed a monument to the former Prussian King, Friedrich II. Though containing some Egyptian and French neo-Classicist features, the design was basically a huge Greek temple in the Doric style, loosely modelled on the Parthenon in Athens, though raised up on an enormous geometric plinth and flanked by numerous obelisks (the Egyptian element). A grand new Potsdam Gate formed part of the design. It was never built, but eighteen years later in 1815 Gilly's pupil, Karl Friedrich Schinkel (1781–1841), put forward plans for a National Memorial Cathedral to commemorate the recent victories in the Wars of Liberation. To be known as the Residenzkirche, it was again, never built due to lack of funds, and in any case the national fervour of the period favoured the long-awaited completion of Cologne Cathedral over a new building, but Schinkel went on to become one of the most prolific and celebrated architects of his time.