Urban Centres
The largest coastal cities, the first founded or settled by Portuguese people since the 16th century, like the capital Lourenço Marques, Beira, Quelimane, Nacala and Inhambane were modern cosmopolitan ports and a melting pot of several cultures, with a strong South African influence. The Southeast African and Portuguese cultures were dominant, but the influence of Arab, Indian, and Chinese cultures were also felt. The cuisine was diverse, owing especially to the Portuguese cuisine and Muslim heritage, and seafood was also quite abundant.
Lourenço Marques had always been a point of interest for artistic and architectural development since the first days of its urban expansion and this strong artistic spirit was responsible for attracting some of the world's most forward architects at the turn of the 20th century. The city was home to masterpieces of building work by Gustav Eiffel, Pancho Guedes, Herbert Baker and Thomas Honney amongst others. The earliest architectural efforts around the city focused on classical European designs such as the Central Train Station (CFM) designed by architects Alfredo Augusto Lisboa de Lima, Mario Veiga and Ferreira da Costa and built between 1913 and 1916 (sometimes mistaken with the work of Gustav Eiffel), and the Hotel Polana designed by Herbert Baker.
As the 1960s and 1970s approached, Lourenço Marques was yet again at the center of a new wave of architectural influences made most popular by Pancho Guedes. The designs of the 1960s and 1970s were characterized by modernist movements of clean, straight and functional structures. However, prominent architects such as Pancho Guedes fused this with local art schemes giving the city's buildings a unique Mozambican theme. As a result most of the properties erected during the second construction boom take on these styling cues.
Read more about this topic: Portuguese Mozambique
Famous quotes containing the words urban and/or centres:
“The gay world that flourished in the half-century between 1890 and the beginning of the Second World War, a highly visible, remarkably complex, and continually changing gay male world, took shape in New York City.... It is not supposed to have existed.”
—George Chauncey, U.S. educator, author. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940, p. 1, Basic Books (1994)
“We all have—to put it as nicely as I can—our lower centres and our higher centres. Our lower centres act: they act with terrible power that sometimes destroys us; but they don’t talk.... Since the war the lower centres have become vocal. And the effect is that of an earthquake. For they speak truths that have never been spoken before—truths that the makers of our domestic institutions have tried to ignore.”
—George Bernard Shaw (1856–1950)