Creation
Dostoyevsky showed interest in literature since his childhood. His mother's subscription to the Library of Reading enabled the family entry into the leading contemporary Russian and non-Russian literature. Gothic tales, such as by Ann Radcliffe, was the first genre Dostoyevsky was introduced to. Other formative influences were the works by the poets Alexander Pushkin and Vasily Zhukovsky, heroic epics usually by Homer and chivalric novels by Cervantes and Walter Scott.
Dostoyevsky initially attended the best private school in Moscow, the Chermak boarding school. Founded by a Czech immigrant, who moved to Russia after the Napoleonic Wars, it put strong emphasis on literature. As the school required 800 rubles per year, his father had to do additional work and ask his aristocratic relatives, the Kumanins, for money. Although Dostoyevsky settled in well, he had to leave after his mother's death on 27 September 1837 led to financial problems for his family. He was sent to the Military Engineering-Technical University, he had problems adjusting to life there, but nevertheless managed to graduate on 12 August 1843 as a military engineer. After his graduation, he lived a quite liberal lifestyle, attending many plays and the ballets of composers Ole Bull and Franz Liszt, and renting an expensive apartment, the Prianishnikov House, for 1,200 rubles, even though he was only earning 5,000 rubles per year. These events and his introduction to casinos were responsible for his deteriorating financial situation. He worked as a translator, but the translations he completed in 1843, such as Balzac's Eugénie Grandet and Sand's La dernière Aldini, were not very successful. His gambling and betting on billiard games were a huge drain on his funds because of his frequent losses. As a consequence, Dostoyevsky was often forced to ask his relatives for money, but he felt uncomfortable doing so and decided to write a novel to raise money. "It's simply a case" Dostoyevsky wrote to his brother Mikhail, "of my novel covering all. If I fail in this, I'll hang myself."
Dostoyevsky began working on Poor Folk in early 1844. He first mentioned the upcoming work in a letter to Mikhail on 30 September 1844: "I am finishing up a novel of the size of Eugénie Grandet. It's a rather original work." Dostoyevsky later wrote to his brother on 23 March 1845, "I finished the novel in November, then rewrote it in December, and again in February–March. I am seriously satisfied with my novel. It is a serious and elegant work ..." Sometime around April 1845, his friend Dmitry Grigorovich, with whom he had shared an apartment since the autumn of 1844, proposed giving the manuscript to poet Nikolay Nekrasov, who was planning to issue an anthology in 1846. Dostoyevsky took the manuscript to Nekrasov and returned home. Shortly afterwards the doorbell of his house rang, and he opened the door to the excited Nekrasov and Grigorovich, both of whom congratulated him on his debut novel, of which they had only read 10 pages. They finished the full 112-page work during the night at Dostoyevsky's apartment. The next morning, the three men went to the critic Vissarion Belinsky; Nekrasov proclaimed Dostoyevsky "the New Gogol" though Belinsky replied sceptically "You find Gogol's springing up like mushrooms". Dostoyevsky himself did not believe his book would receive a positive review from Belinsky, but when Nekrasov visited Belinsky in the evening, the latter wanted to meet Dostoyevsky to congratulate him on his debut. Dostoyevsky proposed to issue Poor Folk in the Fatherland Notes, but it was instead published in the almanac St. Petersburg Collection on January 15, 1846.
Read more about this topic: Poor Folk
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