Bibliography
- Miguel Algarin & Bob Holman, ALOUD: Voices from the Nuyorican Poets' Cafe
- Gary Mex Glazner, Poetry Slam: The Competitive Art of Performance Poetry
- Cristin O'Keefe Aptowicz, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam
- Big Poppa E, The Wussy Boy Manifesto
- Beau Sia, A Night Without Armor II: The Revenge
- Daphne Gottlieb, Final Girl, Pelt, Why Things Burn, and 15 Ways to Stay Alive
- Douglas A. Martin, In the Time of Assignments
- Glenis Redmond, Backbone, Under the Sun,
- Jeffrey McDaniel, Alibi School, The Forgiveness Parade, and The Splinter Factory
- Jessica Care Moore, The Alphabet Verses the Ghetto, The Words Don't Fit in My Mouth, and God Is Not an American
- Justin Chin, Bite Hard, Harmless Medicine, and Gutted
- M. Ayodele Heath, Otherness
- Michael Salinger, Neon, Outspoken, and Well Defined: Vocabulary in Rhyme (with Sam Henderson)
- Patricia Smith, Big Towns, Big Talk : Poems, Close to Death : Poems, Life According to Motown, Teahouse Of The Almighty, and Blood Dazzler
- Rachel McKibbens, Pink Elephant
- Ragan Fox, Heterophobia and Exile in Gayville
- Regie Gibson, Storms Beneath the Skin
- Shane Koyczan, Visiting Hours
- Tara Betts, Arc and Hue
- Taylor Mali, What Learning Leaves, and Top Secret Slam Strategies
- Helen Gregory, The Quiet Revolution of Poetry Slam: The Sustainability of Cultural Capital in the Light of Changing Artistic Conventions. "Ethnography and Education", Vol. 3 (1): 61-71.
- Roger Bonair-Agard, Gully and Tarnish and Masquerade
- Saul Williams, The Seventh Octave, she, said the shotgun to the head, and The Dead Emcee Scrolls
- Tyehimba Jess, leadbelly
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