Minus Sign
The minus sign has three main uses in mathematics:
- The subtraction operator: A binary operator to indicate the operation of subtraction, as in 5 − 3 = 2. Subtraction is the inverse of addition.
- Directly in front of a number and when it is not a subtraction operator it means a negative number. For instance −5 is negative 5.
- A unary operator that acts as an instruction to replace the operand by its opposite. For example, if x is 3, then −x is −3, but if x is −3, then −x is 3. Similarly, −(−2) is equal to 2.
All three uses can be referred to as "minus" in everyday speech. In modern US usage, −5 (for example) is normally pronounced "negative five" rather than "minus five". "Minus" may be used by speakers born before 1950, and is still popular in some contexts, but "negative" is usually taught as the only correct reading. In most other parts of the English-speaking world, "minus five" is more common. Textbooks in America encourage −x to be read as "the opposite of x" or even "the additive inverse of x" to avoid giving the impression that −x is necessarily negative.
In some contexts, different glyphs are used for these meanings; for instance in the computer language APL a raised minus sign is used in negative numbers (as in 2 − 5 gives −3), but such usage is rare.
In mathematics and most programming languages, the rules for the order of operations mean that −52 is equal to −25. Powers bind more strongly than multiplication or division which binds more strongly than addition or subtraction. While strictly speaking, the unary minus is not subtraction, it is given the same place as subtraction. However in some programming languages and Excel in particular, unary operators bind strongest, so in these −5^2 is 25 but 0−5^2 is −25.
Read more about this topic: Plus And Minus Signs
Famous quotes containing the word sign:
“Old age likes indecency. It’s a sign of life.”
—Mason Cooley (b. 1927)
“It is at the same time by poetry and through poetry, by and through music, that the soul glimpses the splendors found behind the tomb; and when an exquisite poem brings tears to one’s eyes, these tears are not the sign of excessive pleasure, they are rather witness to an irritated melancholy, to a condition of nerves, to a nature exiled to imperfection and which would like to seize immediately, on this very earth, a revealed paradise.”
—Charles Baudelaire (1821–1867)