Features
- To the west of the Place is the famous Champs-Élysées.
- To the east of the Place are the Tuileries Gardens. The Galerie nationale du Jeu de Paume and the Musée de l'Orangerie, both in the Tuileries Gardens, border the Place
- North of the Place: two identical stone buildings, separated by the Rue Royale. The eastern one houses the French Naval Ministry, and the western one is the Hôtel de Crillon. The Rue Royale leads to the Église de la Madeleine. The Embassy of the United States is located in the corner of the Place at the intersection of Avenue Gabriel and Rue Boissy d'Anglas
- The northeastern corner of the Place is the western end of the Rue de Rivoli
- South of the Place: the River Seine, crossed by the Pont de la Concorde, built by Jean-Rodolphe Perronnet between 1787–1790 and widened in 1930-1932. The Palais Bourbon, home of the French National Assembly, is across the bridge, on the opposite bank of the river
- At each of the eight angles of the octagonal Place is a statue, initiated by architect Jacques-Ignace Hittorff, representing a French city:
- Brest and Rouen by Jean-Pierre Cortot
- Lyon and Marseille by Pierre Petitot
- Bordeaux and Nantes by Louis-Denis Caillouette
- Lille and Strasbourg by James Pradier. After the Franco-Prussian War of 1870-1871, when Alsace-Lorraine was lost to Germany, the Strasbourg statue was covered in black mourning crepe on state occasions, and was often decorated with wreaths; this practice did not end until France regained the region following World War I.
Read more about this topic: Place De La Concorde
Famous quotes containing the word features:
“However much we may differ in the choice of the measures which should guide the administration of the government, there can be but little doubt in the minds of those who are really friendly to the republican features of our system that one of its most important securities consists in the separation of the legislative and executive powers at the same time that each is acknowledged to be supreme, in the will of the people constitutionally expressed.”
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“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (1871–1922)