Other Musical Meanings of Pitch
In atonal, twelve tone, or musical set theory a "pitch" is a specific frequency while a pitch class is all the octaves of a frequency. In many analytic discussions of atonal and post-tonal music, pitches are named with integers because of octave and enharmonic equivalency (for example, in a serial system, C♯ and D♭ are considered the same pitch, while C4 and C5 are functionally the same, one octave apart).
Discrete pitches, rather than continuously variable pitches, are virtually universal, with exceptions including "tumbling strains" and "indeterminate-pitch chants". Gliding pitches are used in most cultures, but are related to the discrete pitches they reference or embellish.
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Famous quotes containing the words musical, meanings and/or pitch:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Well, “slithy” means “lithe and slimy.” “Lithe” is the same as “active.” You see, it’s like a portmanteau—there are two meanings packed up into one word.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“He maintained that the case was lost or won by the time the final juror had been sworn in; his summation was set in his mind before the first witness was called. It was all in the orchestration, he claimed: in knowing how and where to pitch each and every particular argument; who to intimidate; who to trust, who to flatter and court; who to challenge; when to underplay and exactly when to let out all the stops.”
—Dorothy Uhnak (b. 1933)