Description
There is equal energy in all octaves (or similar log bundles). In terms of power at a constant bandwidth, 1/ƒ noise falls off at 3 dB per octave. At high enough frequencies 1/ƒ noise is never dominant. (White noise is equal energy per hertz.)
The human auditory system, which processes frequencies in a roughly logarithmic fashion approximated by the Bark scale, does not perceive them with equal sensitivity; signals in the 2–4-kHz octave sound loudest, and the loudness of other frequencies drops increasingly, depending both on the distance from the peak-sensitivity area and on the level. However, humans still differentiate between white noise and pink noise with ease.
Graphic equalizers also divide signals into bands logarithmically and report power by octaves; audio engineers put pink noise through a system to test whether it has a flat frequency response in the spectrum of interest. Systems that do not have a flat response can be equalized by creating a "mirror image" using a graphic equalizer. Because pink noise has a tendency to occur in natural physical systems it is often useful in audio production. Pink noise can be processed, filtered, and/or effects can be added to produce desired sounds. Pink noise generators are commercially available.
One parameter of noise, the peak versus average energy contents, or crest factor, is important for testing purposes, such as for audio power amplifier and loudspeaker capabilities because the signal power is a direct function of the crest factor. Various crest factors of pink noise can be used in simulations of various levels of dynamic range compression in music signals. On some digital pink noise generators the crest factor can be specified.
Read more about this topic: Pink Noise
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