Piet Mondrian - Partial List of Works

Partial List of Works

  • Field with Young Trees in the Foreground (1907), Cleveland Museum of Art
  • Molen Mill; Mill in Sunlight (1908)
  • Avond Evening; Red Tree (1908)
  • Chrysanthemum (1908)
  • Windmill by the Water (1908)
  • View from the Dunes with Beach and Piers, Domburg, (1909)
  • The Red Tree (1909–10)
  • Amaryllis (1910)
  • Evolution (1910–11)
  • The Red Mill (1910–11)
  • Horizontal Tree (1911)
  • Still Life with Ginger Pot I (Cubist) (1911)
  • Still Life with Ginger Pot II (Simplified) (1912)
  • Apple Tree in Bloom (1912)
  • Gray Tree (1912)
  • Eucaliptus (1912)
  • Trees (1912–1913)
  • Scaffoldings (1912–1914)
  • Composition No. II; Composition in Line and Color (1913)
  • Ocean 5 (1915)
  • Composition III with Color Planes (1917)
  • Composition with Color Planes and Gray Lines 1 (1918)
  • Composition with Gray and Light Brown (1918)
  • Composition with Grid VII (1919)
  • Composition: Checkerboard, Dark Colors (1919)
  • Composition A: Composition with Black, Red, Gray, Yellow, and Blue (1920)
  • Composition with Black, Red, Gray, Yellow, and Blue (1920)
  • Tableau I (1921)
  • Lozenge Composition with Yellow, Black, Blue, Red, and Gray (1921)
  • Composition with Large Blue Plane, Red, Black, Yellow, and Gray (1921)
  • Composition with Blue, Yellow, Black, and Red (1922)
  • Composition #2 (1922)
  • Composition with Yellow, Black, Blue, and Grey (1923)
  • Lozenge Composition with Red, Black, Blue, and Yellow (1925)
  • Lozenge Composition with Red, Gray, Blue, Yellow, and Black (1925)
  • Composition with Red, Yellow, and Blue (1927), Cleveland Museum of Art
  • Fox Trot; Lozenge Composition with Three Black Lines (1929)
  • Composition with Yellow Patch (1930)
  • Composition with Yellow (1930)
  • Composition with Blue and Yellow (1932)
  • Composition No. III Blanc-Jaune (1935–42)
  • Rhythm of Straight Lines (1935–42)
  • Rhythm of Black Lines painting (1935–42)
  • Composition blanc, rouge et noir or Composition in White, Black and Red (1936)
  • Vertical Composition with Blue and White (1936)
  • Abstraction (1937–42)
  • Composition with Red, Yellow, and Blue (1937–42)
  • Composition No. 8 (1939–42)
  • Painting #9 (1939–42)
  • Composition No. 10 (1939–1942)
  • New York City I (1942)
  • Chrysanthemum (1942), Cleveland Museum of Art
  • Trafalgar Square (1939–1943)
  • Broadway Boogie-Woogie (1942–43)
  • Place de la Concorde (1943)
  • Victory Boogie-Woogie (1943–44)

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    His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.
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