Work
Piet Hein, who, in his own words, "played mental ping-pong" with Niels Bohr in the inter-War period, found himself confronted with a dilemma when the Germans occupied Denmark. He felt that he had three choices: Do nothing, flee to "neutral" Sweden or join the Danish resistance movement. As he explained in 1968, "Sweden was out because I am not Swedish, but Danish. I could not remain at home because, if I had, every knock at the door would have sent shivers up my spine. So, I joined the Resistance."
Taking as his first weapon the instrument with which he was most familiar, the pen, he wrote and had published his first "grook" (gruk in Danish). It passed the censors who did not grasp its real meaning.
CONSOLATION GROOKLosing one glove
is certainly painful,
but nothing
compared to the pain,
of losing one,
throwing away the other,
and finding
The Danes, however, understood its importance and soon it was found as graffiti all around the country. The deeper meaning of the grook was that even if you lose your freedom ("losing one glove"), do not lose your patriotism and self-respect by collaborating with the Nazis ("throwing away the other"), because that sense of having betrayed your country will be more painful when freedom has been found again someday.
After Liberation, Scandinavian architects, tired of square buildings but cognizant that circular buildings were impractical, asked Piet Hein for a solution. Applying his mathematical prowess to the problem, Piet Hein proposed to use the superellipse which became the hallmark of modern Scandinavian architecture.
In addition to the thousands of grooks he wrote, Piet Hein devised the games of Hex, Tangloids, Morra, Tower, Polytaire, TacTix, Nimbi, Qrazy Qube, Pyramystery, and the Soma cube. He advocated the use of the superellipse curve in city planning, furniture making and other realms. He also invented a perpetual calendar called the Astro Calendar and marketed housewares based on the superellipse and Superegg.
Read more about this topic: Piet Hein (scientist)
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“If we notice a few errors in the work of a proven master, we may and even will often be correct; if we believe, however, that he is completely and utterly mistaken, we are in danger of missing his entire concept.”
—Franz Grillparzer (1791–1872)
“How did you get in the Navy? How did you get on our side? Ah, you ignorant, arrogant, ambitious—keeping sixty two men in prison cause you got a palm tree for the work they did. I don’t know which I hate worse, you or that malignant growth that stands outside your door. How did you ever get command of a ship? I realize in wartime they have to scrape the bottom of the barrel. But where’d they ever scrape you up?”
—Frank S. Nugent (1908–1965)
“I was at work that morning. Someone came riding like mad
Over the bridge and up the road—Farmer Rouf’s little lad.
Bareback he rode; he had no hat; he hardly stopped to say,
“Morgan’s men are coming, Frau, they’re galloping on this way.”
—Constance Fenimore Woolson (1840–1894)