Music
Pierrot Lunaire uses a variety of classical forms and techniques, including canon, fugue, rondo, passacaglia and free counterpoint. The poetry is a German version of a rondeau of the old French type with a double refrain. Each poem consists of three stanzas of 4 + 4 + 5 lines, with line 1 a Refrain (A) repeated as line 7 and line 13, and line 2 a second Refrain (B) repeated for line 8.
The instrumental combinations (including doublings) vary between most movements. The entire ensemble plays together only in the 11th, 14th and final 4 settings.
The atonal, expressionistic settings of the text, with their echoes of German cabaret, bring the poems vividly to life. Sprechgesang, literally "speech-singing" in German, is a style in which the vocalist uses the specified rhythms and pitches, but does not sustain the pitches, allowing them to drop or rise, in the manner of speech.
Read more about this topic: Pierrot Lunaire
Famous quotes containing the word music:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“We often feel sad in the presence of music without words; and often more than that in the presence of music without music.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Good music is very close to primitive language.”
—Denis Diderot (17131784)