History
The work originated in a commission by Zehme for a cycle for voice and piano, setting a series of poems by the Belgian writer Albert Giraud. The verses had been first published in 1884, and later translated into German by Otto Erich Hartleben. Schoenberg began on March 12 and completed the work on July 9, 1912, having expanded the forces to an ensemble consisting of flute (doubling on a piccolo), clarinet (doubling on bass clarinet), violin (doubling on viola), cello, and piano. After forty rehearsals, Schoenberg and Zehme (in Columbine dress) gave the premiere at the Berlin Choralion-Saal on October 16, 1912. Reaction was mixed, with Anton Webern reporting at the première whistling and laughing, but in the end "it was an unqualified success". There was some criticism of blasphemy in the texts, to which Schoenberg responded, "If they were musical, not a single one would give a damn about the words. Instead, they would go away whistling the tunes". The show took to the road throughout Germany and Austria later in 1912.
Read more about this topic: Pierrot Lunaire
Famous quotes containing the word history:
“It may be well to remember that the highest level of moral aspiration recorded in history was reached by a few ancient Jews—Micah, Isaiah, and the rest—who took no count whatever of what might not happen to them after death. It is not obvious to me why the same point should not by and by be reached by the Gentiles.”
—Thomas Henry Huxley (1825–95)
“The greatest honor history can bestow is that of peacemaker.”
—Richard M. Nixon (1913–1995)