Pierre Corneille - Works

Works

Mélite, 1633 edition.
Le Cid, 1637 edition.
  • Mélite (1629)
  • Clitandre (1630–31)
  • La Veuve (1631)
  • La Galerie du Palais (1631–32)
  • La Suivante (1634)
  • La Place royale (1633–34)
  • Médée (1635)
  • L'Illusion comique (1636)
  • Le Cid (1637)
  • Horace (1640)
  • Polyeucte (1642)
La Place royale, 1637 edition.
L'Illusion comique, 1639 edition.
  • La Mort de Pompée (1643)
  • Cinna (1643)
  • Le Menteur (1643)
  • Rodogune (1644)
  • La Suite du Menteur (1645)
  • Théodore (1645)
  • Héraclius (1647)
  • Don Sanche d'Aragon (1650)
  • Andromède, (1650)
  • Nicomède, (1651)
  • Pertharite, (1651)
Cinna, 1643 edition.
Sophonisbe, 1663 edition.
  • L'Imitation de Jésus-Christ (1656)
  • Oedipe (1659)
  • Trois Discours sur le poème dramatique (1660)
  • La Toison d'or (1660)
  • Sertorius (1662)
  • Othon (1664)
  • Agésilas (1666)
  • Attila (1667)
  • Tite et Bérénice (1670)
  • Psyché (w/ Molière and Philippe Quinault,1671)
  • Pulchérie (1672)
  • Suréna (1674)

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    In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..
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    The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.
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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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