Pierre-Auguste Renoir - Gallery

Gallery

  • Lise Sewing, 1866, Dallas Museum of Art

  • La Grenouillère, 1868, National Museum, Stockholm, Sweden

  • Portrait of Alfred Sisley, 1868

  • Claude Monet Painting in His Garden at Argenteuil, 1873, Wadsworth Atheneum, Hartford, Connecticut

  • Portrait of Claude Monet, 1875, Musée d'Orsay, Paris, France

  • Jeanne Durand-Ruel, 1876, Barnes Foundation Merion, Pennsylvania

  • A Girl with a Watering Can, 1876, National Gallery of Art, Washington, D.C.

  • Mme. Charpentier and her children, 1878, Metropolitan Museum of Art, New York

  • By the Water, 1880, Art Institute of Chicago, Chicago, Illinois

  • Luncheon of the Boating Party, 1880–1881, The Phillips Collection, Washington, D.C.

  • Portrait of Charles and Georges Durand-Ruel, 1882

  • Dance at Bougival, 1882–1883, (woman at left is painter Suzanne Valadon), Boston Museum of Fine Arts

  • Dance in the City, 1882–1883, Musée d'Orsay, Paris, France

  • Dance in the Country (Aline Charigot and Paul Lhote), 1883, Musée d'Orsay, Paris

  • Pencil study for Dance in the Country 1883, Honolulu Museum of Art

  • Children at the Beach at Guernsey, 1883, Barnes Foundation Merion, Pennsylvania

  • Pierre-Auguste Renoir, "Jeune garçon sur la plage d'Yport" (1883), Barnes Foundation Merion, Pennsylvania

  • In the Garden, 1885, Hermitage St. Petersburg

  • Girl With a Hoop, 1885, National Gallery of Art, Washington, D.C.

  • Girl Braiding Her Hair (Suzanne Valadon), 1885

  • Julie Manet with cat, 1887

  • Portrait of Berthe Morisot and daughter Julie Manet, 1894

  • Gabrielle Renard and infant son Jean Renoir, 1895

  • The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania

  • Graziella, 1896,The Detroit Institute of Arts

  • Portrait of Ambroise Vollard, 1908

  • Portrait of Paul Durand-Ruel, 1910

  • Portrait of Ambroise Vollard, 1917

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Famous quotes containing the word gallery:

    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
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    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
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    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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