Notable Interpretations
- Igor Zhukov with Gennady Rozhdestvensky and the Tchaikovsky Symphony Orchestra of Moscow Radio
- Geza Anda with Herbert von Karajan and the Berliner Philharmoniker
- Claudio Arrau with Bernard Haitink and the Royal Concertgebouw Orchestra
- Wilhelm Backhaus with Karl Bohm and Wiener Philharmoniker
- Idil Biret with Antoni Wit and the Polish National Radio Symphony Orchestra
- Van Cliburn with Kiril Kondrashin and the Moscow Philharmonic Orchestra (recorded live in concert in 1972, remastered and released by the prestigious RCA Victor Red Seal Label in 1994)
- Van Cliburn with Fritz Reiner and the Chicago Symphony Orchestra (studio recording made in 1962 on RCA Living Stereo, LSC-2581, in 1962)
- Edwin Fischer with Wilhelm Furtwängler and the Berliner Philharmoniker
- Leon Fleisher with George Szell and the Cleveland Orchestra
- Emil Gilels with Eugen Jochum, and the Berliner Philharmoniker, and an earlier interpretation with Fritz Reiner and the Chicago Symphony Orchestra
- Horacio Gutierrez with Andre Previn and the Royal Philharmonic Orchestra
- Vladimir Horowitz with Arturo Toscanini and the NBC Symphony Orchestra
- Stephen Kovacevich with Sir Colin Davis and the London Symphony Orchestra
- Maurizio Pollini with Claudio Abbado and the Wiener Philharmoniker
- Sviatoslav Richter with Erich Leinsdorf and Chicago Symphony Orchestra (won for Best Classical Performance - Instrumental Soloist or Soloists (with orchestra) at the Grammy Awards of 1961), and an earlier interpretation with Yevgeny Mravinsky
- Artur Rubinstein with Witold Rowicki and the Warsaw Philharmonic Orchestra
- Rudolf Serkin with George Szell and the Cleveland Orchestra
- Artur Schnabel with Adrian Boult and BBC Symphony Orchestra
- Ivan Moravec with Jiri Belohlavek and Czech Philharmonic Orchestra
- Emanuel Ax with Bernard Haitink and the Boston Symphony Orchestra
Read more about this topic: Piano Concerto No. 2 (Brahms)
Famous quotes containing the word notable:
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)