Character
St. Philip possessed a playful humour, combined with a shrewd wit. He considered a cheerful temper to be more Christian than a melancholy one, and carried this spirit into his whole life:
- "A joyful heart is more easily made perfect than a downcast one."
This was the secret of his popularity and of his place in the folklore of the Roman poor. Many miracles were attributed to him, and it is said that when his body was dissected it was found that two of his ribs had been broken, an event attributed to the expansion of his heart while fervently praying in the catacombs about the year 1545. This phenomenon is in the same category as the stigmata of St Francis of Assisi.
"Practical commonplaceness," says Frederick William Faber in his panegyric of Neri, "was the special mark which distinguishes his form of ascetic piety from the types accredited before his day. He looked like other men ... he was emphatically a modern gentleman, of scrupulous courtesy, sportive gaiety, acquainted with what was going on in the world, taking a real interest in it, giving and getting information, very neatly dressed, with a shrewd common sense always alive about him, in a modern room with modern furniture, plain, it is true, but with no marks of poverty about it—In a word, with all the ease, the gracefulness, the polish of a modern gentleman of good birth, considerable accomplishments, and a very various information." Accordingly, he was ready to meet the needs of his day to an extent and in a manner which even the versatile Jesuits, who much desired to enlist him in their company, did not rival; and, though an Italian priest and head of a new religious order, his genius was entirely unmonastic and unmedieval, frequent and popular preaching, unconventional prayer, and unsystematized, albeit fervent, private devotion.
Neri was not a reformer, except in the sense that in the active discharge of pastoral work he laboured to reform individuals. He had no difficulties in respect of the teaching and practice of his church, being in truth an ardent Ultramontane in doctrine, as was all but inevitable in his time and circumstances, and his great merit was the instinctive tact which showed him that the system of monasticism could never be the leaven of secular life, but that something more homely, simple, and everyday in character was needed for the new time.
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Famous quotes containing the word character:
“Consider the difference between looking and staring. A look is voluntary; it is also mobile, rising and falling in intensity as its foci of interest are taken up and then exhausted. A stare has, essentially, the character of a compulsion; it is steady, unmodulated, “fixed.””
—Susan Sontag (b. 1933)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)
“The legislator should direct his attention above all to the education of youth; for the neglect of education does harm to the constitution. The citizen should be molded to suit the form of government under which he lives. For each government has a peculiar character which originally formed and which continues to preserve it. The character of democracy creates democracy, and the character of oligarchy creates oligarchy.”
—Aristotle (384–323 B.C.)