Philip Marlowe is a fictional character created by Raymond Chandler in a series of novels including The Big Sleep and The Long Goodbye. Marlowe first appeared under that name in The Big Sleep published in 1939. Chandler's early short stories, published in pulp magazines like Black Mask and Dime Detective, featured similar characters with names like "Carmady" and "John Dalmas". Some of those short stories were later combined and expanded into novels featuring Marlowe, a process Chandler called "cannibalizing". When the non-cannibalized stories were republished years later in the short story collection The Simple Art of Murder, Chandler changed the names of the protagonists to Philip Marlowe. His first two stories, "Blackmailers Don't Shoot" and "Smart-Aleck Kill" with a detective named Mallory were never altered in print but did join the others as Marlowe cases for the television series Philip Marlowe, Private Eye.
Philip Marlowe's character is foremost within the genre of hardboiled crime fiction that originated in the 1920s, notably in Black Mask magazine, in which Dashiell Hammett's The Continental Op and Sam Spade first appeared.
Underneath the wisecracking, hard drinking, tough private eye, Marlowe is quietly contemplative and philosophical and enjoys chess and poetry. While he is not afraid to risk physical harm, he does not dish out violence merely to settle scores. Morally upright, he is not fooled by the genre's usual femmes fatales, such as Carmen Sternwood in The Big Sleep.
Chandler's treatment of the detective novel exhibits an effort to develop the form. His first full length book, The Big Sleep, was published when Chandler was 51; his last, Playback at 70. Seven novels were produced in the last two decades of his life, with an eighth being posthumously completed by Robert B. Parker and published years later.
Read more about Philip Marlowe: Inspiration, Biographical Notes, Influences and Adaptations
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“Realism to be effective must be a matter of selection. ... genius chooses its materials with a view to their beauty and effectiveness; mere talent copies what it thinks is nature, only to find it has been deceived by the external grossness of things.”
—Julia Marlowe (18661950)