Print Edition
City Paper is broken into a variety of different sections.
Naked City: The paper's news section regularly features A Million Stories, an offbeat analysis of current events in the city, the Bell Curve, the city's “quality-o-life-o-meter" and staff writers Isaiah Thompson and Dan Denvir's columns Man Overboard and Hostile Witness, respectively.
Cover Story: Typically a long-form feature, news, or service package, taking on various writing forms such as narrative, question-and-answer, and explanatory. The paper's front page art or design is usually centered around the cover story's content.
Arts: Reviews and short show previews of both local and national talent. The section covers a broad swath of genres, including music, photography, performing arts, books and visual arts. Regular columns include Robin Rice's Re:View, Justin Bauer's Shelf Life, John Vettese's Full Exposure and M.J. Fine's Reconsider Me.
Movies: Reviews and picks of local, independent and mass-produced films. Lead reviews are usually written by Sam Adams, Shaun Brady, Drew Lazor or Cindy Fuchs. The section also includes movie shorts (200-word graded reviews) and local repertory film listings.
The Agenda: A calendar of noteworthy events in the city, highlighting everything from clothing boutiques and book signings to festivals and music performances with quick, witty previews. Regular columns include Julia West's Shopping Spree, Josh Middleton's Queer Bait and Meg Augustin's Sexy Time.
Food: Reviews and features centered around local restaurants, cafes and bars, and also chronicles the goings-on of Philadelphia's restaurant community, such as openings and closings. Reviews are mostly handled by critic Adam Erace.
Other regular features include I Love You I Hate You, a section where readers submit short anonymous messages to anyone person or group; Tom Tomorrow's weekly political comic strip This Modern World; and Emily Flake's comic Lulu Eightball.
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Famous quotes containing the words print and/or edition:
“It is speckled with grime as if
Small print overspread it,
The news of a day I’ve forgotten
If I ever read it.”
—Robert Frost (1874–1963)
“I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)