1950s Fame and Later Career
Silvers became a household name in 1955 when he starred as Sergeant Ernest G. Bilko in You'll Never Get Rich, later retitled The Phil Silvers Show. The military comedy became a television hit, with the opportunistic Bilko fast-talking his way through one obstacle after another. In 1958 CBS switched the show to be telecast on Friday nights and moved the setting to Camp Fremont in California. A year later the show was off the schedule.
Silvers returned to Broadway in the musical Do Re Mi in December 1960, receivng a nomination for the Tony Award for Best Performance by a Leading Actor in a Musical. Stanley Green wrote that "It was particularly blessed by offering two outstanding clowns in Phil Silvers as the pushiest of patsies and Nancy Walker." Throughout the 1960s he appeared in films such as It's a Mad, Mad, Mad, Mad World (1963)and 40 Pounds of Trouble (1963). He was featured in Marilyn Monroe's last film, the unfinished Something's Got to Give (1962). In the 1963–1964 television season, he appeared as Harry Grafton, a factory foreman interested in get-rich-quick schemes, much like the previous Bilko character, in CBS's 30-episode The New Phil Silvers Show, with co-stars Stafford Repp, Herbie Faye, Buddy Lester, Elena Verdugo as his sister, Audrey, and her children, played by Ronnie Dapo and Sandy Descher. In 1967 he starred as a guest in one of the British Carry On films, Follow That Camel, a Foreign Legion parody in which he played a variation of the Sergeant Bilko character, Sergeant Nocker. Producer Peter Rogers employed him to ensure the Carry On films' success in America. Silvers' presence did not ensure the film's success on either side of the Atlantic. His salary was £30,000, the largest Carry On salary ever, only later met by the appearance of Elke Sommer in Carry On Behind.
Silvers was offered the leading role of conniving Roman slave Pseudolus in the Broadway musical comedy A Funny Thing Happened on the Way to the Forum. Silvers declined, and the role went instead to Zero Mostel, who was so successful in the role that he repeated the role in the 1966 film version. By this time Silvers realized his error, and agreed to appear in the film as a secondary character, flesh merchant Marcus Lycus. When actor-producer Larry Blyden mounted a Broadway revival of Forum in 1972, he wanted Phil Silvers to play the lead, and this time Silvers agreed. The revival was a hit and Silvers became the first actor ever to win a Tony Award in a revival of a show.
Silvers also guested on The Beverly Hillbillies, and various TV variety shows such as The Carol Burnett Show, Rowan & Martin's Laugh-In, and The Dean Martin Show. Perhaps Silvers' most memorable guest appearance was as curmudgeonly Hollywood producer Harold Hecuba in an episode (titled The Producer) on Gilligan's Island (broadcast in 1966), where he and the castaways performed a musical version of Hamlet. (Silvers' production company Gladasya – named after his catchphrase "Gladdaseeya!" – financed the show).
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Famous quotes containing the words fame and/or career:
“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelsons Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”
—Herman Melville (18191891)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)