Phase (waves) - Formula

Formula

The phase of an oscillation or wave refers to a sinusoidal function such as the following:

\begin{align} x(t) &= A \cos( 2 \pi f t + \phi ) \\ y(t) &= A \sin( 2 \pi f t + \phi ) = A\cdot \cos\left( 2 \pi f t + \phi - \frac{\pi}{2}\right)
\end{align}

where, and are constant parameters called the amplitude, frequency, and phase of the sinusoid. These functions are periodic with period, and they are identical except for a displacement of along the axis. The term phase can refer to several different things:

  • It can refer to a specified reference, such as, in which case we would say the phase of is, and the phase of is .
  • It can refer to, in which case we would say and have the same phase but are relative to their own specific references.
  • In the context of communication waveforms, the time-variant angle, or its modulo value, is referred to as instantaneous phase, often just phase.

Read more about this topic:  Phase (waves)

Famous quotes containing the word formula:

    In the most desirable conditions, the child learns to manage anxiety by being exposed to just the right amounts of it, not much more and not much less. This optimal amount of anxiety varies with the child’s age and temperament. It may also vary with cultural values.... There is no mathematical formula for calculating exact amounts of optimal anxiety. This is why child rearing is an art and not a science.
    Alicia F. Lieberman (20th century)

    Hidden away amongst Aschenbach’s writing was a passage directly asserting that nearly all the great things that exist owe their existence to a defiant despite: it is despite grief and anguish, despite poverty, loneliness, bodily weakness, vice and passion and a thousand inhibitions, that they have come into being at all. But this was more than an observation, it was an experience, it was positively the formula of his life and his fame, the key to his work.
    Thomas Mann (18751955)

    Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.
    Walter Pater (1839–1894)