Media
The Phantasy Star Compendium was a specialty book published by Sega in late 1995, filled with production art, game development details, and expanded information on the characters, worlds, and lore of the original series. It purported to establish a clear connection between all four games, and elaborate further on the full story of the Algol Solar System. Amongst the connections it established were identifying Laya and Orakio of Phantasy Star III as rebel leaders in a complex and political struggle between the royal family of Algol, including Alis Landale, and infiltrators from Earth who had taken control of Algol as of Phantasy Star II. Consistent with the series, all paths from the conflict still lead back to Dark Force and its progenitor, the Profound Darkness. As a retroactive effort, the details revealed in the compendium may not have reflected the original intentions for the series, and as such met with resistance from long-time series fans for over-complicating the storyline.
The Phantasy Star Memorial Drama, released in 1995 by Softbank, was a CD featuring music and dialogue to tell a new story around the characters of Phantasy Star IV. Set three years prior to the game's events, it involves Rune Walsh helping Chaz Ashley recall sealed memories of his days as a petty thief. The story revolves around an artificial intelligence called Gene, which in the wake of the Great Collapse, is convinced that humanity is to blame for Algol's troubles, and initiates a number of plans to eliminate them. It also features the "spiritual" return of Nei from Phantasy Star II in a new character of the same name, who helps Chaz stop Gene's sinister ambitions.
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Famous quotes containing the word media:
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.”
—Serge Daney (19441992)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. The Blurring of Public and Private Behaviors, No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“The media have just buried the last yuppie, a pathetic creature who had not heard the news that the great pendulum of public conciousness has just swung from Greed to Compassion and from Tex-Mex to meatballs.”
—Barbara Ehrenreich (b. 1941)