The Monkees
Stills suggested Tork audition for a new television series about four pop-rock musicians, when the producers asked if Stills 'had a better looking (musician) friend'. Tork got the job and became one of the four members of The Monkees, who ended up being both characters in a television sitcom and a band in their own right.
Tork was a proficient musician, and though the group generally did not play their own instruments on their first two albums, he was an exception, playing what he described as "third chair guitar" on Mike Nesmith's song "Papa Gene's Blues" from their first album. He subsequently played keyboards, bass guitar, banjo, harpsichord, and other instruments on their recordings. He also co-wrote, along with Joey Richards, the closing theme song of the second season of The Monkees, "For Pete's Sake". On the television show, he was relegated to playing the "lovable dummy".
In commentary tracks included in the DVD release of the first season of the show, Nesmith stated that Tork was better at playing guitar than bass. In Tork's commentary, he stated that Jones was a good drummer and had the live performance lineups been based solely on playing ability, it should have been Tork on guitar, Nesmith on bass, and Jones on drums, with Dolenz taking the fronting role, rather than as it was done (with Nesmith on guitar, Tork on bass, and Dolenz on drums). Jones filled in briefly for Tork on bass when he played keyboards.
Recording and producing as a group was Tork's major interest, and he hoped that the four members would continue working together as a band on future recordings. However, the four did not have enough in common regarding their musical interests. In commentary for the DVD release of the second season of the show, Tork said that Dolenz was "incapable of repeating a triumph".
Tork, once free from Don Kirshner's restrictions, in 1967, contributed some of the most memorable and catchy instrumental flourishes, such as the piano introduction to "Daydream Believer" and the banjo part on "You Told Me", as well as exploring occasional songwriting with the likes of "For Pete's Sake" and "Lady's Baby".
Tork was close to his grandmother, staying with her sometimes in his Greenwich Village days, and after he became a Monkee. "Grams" was one of his most ardent supporters and managed his fan club, often writing personal letters to members, and visiting music stores to make sure they carried Monkees records.
Six albums were produced with the original Monkees lineup, four of which went to No 1 on the Billboard chart. This success was supplemented by two years of the TV show, a series of successful concert tours both across America and abroad, and a trippy-psychedelic movie, Head, a bit ahead of its time. However, tensions, both musical and personal, were increasing within the group. The band finished a Far East tour in December 1968 (where his copy of Naked Lunch was confiscated by Australian Customs) and then filmed an NBC television special, 33⅓ Revolutions Per Monkee, which rehashed many of the ideas from Head, only with the Monkees playing a strangely second-string role.
No longer getting the group dynamic he wanted, and pleading "exhaustion" from the grueling schedule, Tork bought out the remaining four years of his contract after filming was complete on December 20, 1968, at a default of $150,000/year. In the DVD commentary for the 33⅓ Revolutions Per Monkee TV special—originally broadcast April 14, 1969—Dolenz noted that Nesmith gave Tork a gold watch as a going-away present, engraved "From the guys down at work". Tork kept the back, but replaced the watch several times in later years.
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