Peter Olivi - Writings

Writings

The numerous but for the most part unedited works of Olivi are appropriately divided by Ehrle into three classes:

  1. Speculative Works, of which the chief is his "Quæstiones" (philosophical and theological), printed partly in an extremely rare edition (Venice, 1509), which contains also his defences against the Paris theologians of 1283-85 which were reprinted by Charles du Plessis d'Argentré, Collectio judiciorum, I (Paris, 1724), 226-34; Commentary on the Book of Sentences; "De Sacramentis" etc.
  2. Exegetical Works: Five small treatises on principles of introduction, printed under St. Bonaventure's name by Bonelli, "Suppl. ad. op. S. Bonaventuræ" (Trent, 1772-3), I, 23-49, 282-347, 348-74; II, 1038–52, 1053-1113. In the same work (I, 52-281) is printed Olivi's "Postilla in Cant. Canticorum". (See S. Bonav. opera., VI, Quaracchi, 1893, Prolegomena, vi-ix.) The other postillœ are: Super Genesim, Job, Psalterium, Proverbia, Ecclesiasten, Lamentationes Jeremiæ, Ezechielem, Prophetas minores, on the Four Gospels, Ep. ad Romanos, ad Corinthios, in epistolas Canonicas, in Apocalypsim;
  3. Works on observance of the Rule of Saint Francis.

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Famous quotes containing the word writings:

    If someday I make a dictionary of definitions wanting single words to head them, a cherished entry will be “To abridge, expand, or otherwise alter or cause to be altered for the sake of belated improvement, one’s own writings in translation.”
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    Even in my own writings I cannot always recover the meaning of my former ideas; I know not what I meant to say, and often get into a regular heat, correcting and putting a new sense into it, having lost the first and better one. I do nothing but come and go. My judgement does not always forge straight ahead; it strays and wanders.
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    It has come to be practically a sort of rule in literature, that a man, having once shown himself capable of original writing, is entitled thenceforth to steal from the writings of others at discretion. Thought is the property of him who can entertain it; and of him who can adequately place it. A certain awkwardness marks the use of borrowed thoughts; but, as soon as we have learned what to do with them, they become our own.
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