Style
Jackson is known for his attention to detail, a habit of shooting scenes from many angles, a macabre sense of humour, and a general playfulness - the latter to the point where The Lord of the Rings conceptual designer Alan Lee jokingly remarked "the film is almost incidental really".
Jackson was a noted perfectionist on the Lord of the Rings shoot, where he demanded numerous takes of scenes, requesting additional takes by repeatedly saying, "one more for luck". Jackson is also renowned within the New Zealand film industry for his insistence on "coverage" — shooting a scene from as many angles as possible, giving him more options during editing. Jackson has been known to spend days shooting a single scene. This is evident in his work where even scenes featuring simple conversations often feature a wide array of multiple camera angles and shot-sizes as well as zooming closeups on characters' faces. One of his most common visual trademarks is shooting close-ups of actors with wide-angle lenses.
Unlike some other film directors, Jackson has remained in his native country to make films. This has been the genesis of several production and support companies. Most of Jackson's assets are found on the Miramar Peninsula in his home town of Wellington where much of his filming occurs; and he was instrumental in having the world premiere of The Return of the King in the city's iconic Embassy Theatre which he helped restore.
He was an early user of computer enhancement technology and provided digital special effects to a number of Hollywood films by use of telecommunications and satellite links to transmit raw images and the final results across the Pacific Ocean.
During filming of The Lord of the Rings, Jackson was famous for wearing shorts and going barefoot under most circumstances, especially during film shoots.
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Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (1874–1936)
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)