Peter F. Hamilton - Writing Style

Writing Style

Peter F. Hamilton generally uses a clean, prosaic style. His space opera is characterised by the way it switches between several characters—often there are three or more main characters, whose paths begin separated but eventually cross. Common themes in his books are sexually precocious teenagers, politics, religion, and armed conflict.

Critically, Hamilton is often grouped with Alastair Reynolds, Stephen Baxter, Ken MacLeod, and other writers of new space opera in the United Kingdom. However, a fundamental difference is that while Reynolds and Baxter try hard to keep their books essentially grounded in solid science, Hamilton uses an abundance of fantasy-themed analogs (gaiafield, skylords, unisphere, etc.), which are extrapolated with solid astronomy and physics background, including many elements from classic horror writing.

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    One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.
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    His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.
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