Music
Abélard was also long known as an important poet and composer. He composed some celebrated love songs for Héloïse that are now lost, and which have not been identified in the anonymous repertoire. Héloïse praised these songs in a letter: "The great charm and sweetness in language and music, and a soft attractiveness of the melody obliged even the unlettered".
Abélard composed a hymnbook for the religious community that Héloïse joined. This hymnbook, written after 1130, differed from contemporary hymnals, such as that of Bernard of Clairvaux, in that Abélard used completely new and homogeneous material. The songs were grouped by metre, which meant that comparatively few melodies could be used. Only one melody from this hymnal survives, O quanta qualia.
Abélard also left six biblical planctus (laments), which were original, and which influenced the subsequent development of the lai, a song form that flourished in northern Europe in the 13th and 14th centuries.
Melodies that have survived have been praised as "flexible, expressive melodies show an elegance and technical adroitness that are very similar to the qualities that have been long admired in Abélard's poetry."
Read more about this topic: Peter Abelard
Famous quotes containing the word music:
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.”
—Albert Camus (1913–1960)