Music
Abélard was also long known as an important poet and composer. He composed some celebrated love songs for Héloïse that are now lost, and which have not been identified in the anonymous repertoire. Héloïse praised these songs in a letter: "The great charm and sweetness in language and music, and a soft attractiveness of the melody obliged even the unlettered".
Abélard composed a hymnbook for the religious community that Héloïse joined. This hymnbook, written after 1130, differed from contemporary hymnals, such as that of Bernard of Clairvaux, in that Abélard used completely new and homogeneous material. The songs were grouped by metre, which meant that comparatively few melodies could be used. Only one melody from this hymnal survives, O quanta qualia.
Abélard also left six biblical planctus (laments), which were original, and which influenced the subsequent development of the lai, a song form that flourished in northern Europe in the 13th and 14th centuries.
Melodies that have survived have been praised as "flexible, expressive melodies show an elegance and technical adroitness that are very similar to the qualities that have been long admired in Abélard's poetry."
Read more about this topic: Peter Abelard
Famous quotes containing the word music:
“From where Pan’s cavern is
Intolerable music falls.
Foul goat-head, brutal arm appear,
Belly, shoulder, bum,
Flash fishlike; nymphs and satyrs
Copulate in the foam.”
—William Butler Yeats (1865–1939)
“Who that has heard a strain of music feared then lest he should speak extravagantly any more forever?”
—Henry David Thoreau (1817–1862)
“I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.”
—Bhakti Ziek (b. c. 1946)