Charity Work
Pete Townshend has woven a long history of involvement with various charities and other philanthropic efforts throughout his career, both as a solo artist and with The Who. His first solo concert, for example, was a 1974 benefit show which was organised to raise funds for the Camden Square Community Play Center.
The earliest public example of Townshend's involvement with charitable causes was in 1968, when Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of wife Karen. Townshend sat on a committee which oversaw the operation and finances of the centre. "The committee sees to it that it is open a couple of days a week, and keeps the bills paid and the library full", he wrote in a 1970 Rolling Stone article.
In 1969 and 1972 Townshend produced two limited-release albums, Happy Birthday and I Am, for the London-based Baba association. This led to 1972's Who Came First, a more widespread release, 15 percent of the revenue of which went to the Baba association. A further limited release, With Love, was released in 1976. A limited-edition boxed set of all three limited releases on CD, Avatar, was released in 2000, with all profits going to the Avatar Meher Baba Trust in India, which provided funds to a dispensary, school, hospital and pilgrimage centre.
In July 1976, Townshend opened Meher Baba Oceanic, a London activity centre for Baba followers which featured film dubbing and editing facilities, a cinema and a recording studio. In addition, the centre served as a regular meeting place for Baba followers. Townshend offered very economical (reportedly £1 per night) lodging for American followers who needed an overnight stay on their pilgrimages to India. "For a few years, I had toyed with the idea of opening a London house dedicated to Meher Baba", he wrote in a 1977 Rolling Stone article. "In the eight years I had followed him, I had donated only coppers to foundations set up around the world to carry out the Master's wishes and decided it was about time I put myself on the line. The Who had set up a strong charitable trust of its own which appeased, to an extent, the feeling I had that Meher Baba would rather have seen me give to the poor than to the establishment of yet another so-called 'spiritual center'." Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. The project was known as MEFA, or Meher Baba European Film Archive.
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