Title and Cover Art
Both the origin and meaning of the album title Pet Sounds are uncertain. Brian Wilson has claimed at one point that the title was "a tribute" to Phil Spector by naming the album using his initials. Carl Wilson later spoke about the album title: "The idea he had was that everybody has these sounds that they love, and this was a collection of his 'pet sounds.' It was hard to think of a name for the album, because you sure couldn't call it Shut Down Vol. 3."
Mike Love also has laid claim to coming up with the title. "We were standing in the hallway in one of the recording studios, either Western or Columbia, and we didn't have a title," he recounted. "We had taken pictures at the zoo and ... there were animal sounds on the record, and we were thinking, well, it's our favorite music of that time, so I said, 'Why don't we call it Pet Sounds?'"
On February 15, the group traveled to the San Diego Zoo to shoot the photographs for the cover of the new album, which had already been titled Pet Sounds. George Jerman has been credited for taking the cover photo. According to the Pet Sounds' liner notes, "The photos of The Beach Boys feeding an assortment of goats was a play on the album's chosen title, Pet Sounds."
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Famous quotes containing the words title, cover and/or art:
“One generation passeth away, and another generation cometh: but the earth abideth for ever. The sun also ariseth, and the sun goeth down, and hasteth to the place where he arose.”
—Bible: Hebrew Ecclesiastes, 1:4-5.
Ernest Hemingway took the title The Sun Also Rises (1926)
“There is nothing more poetic and terrible than the skyscrapers’ battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain’s tresses and shine their three thousand swords through the soft swan of the fog.”
—Federico García Lorca (1898–1936)
“In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.”
—Willem De Kooning (b. 1904)