After The Second World War
In the post-war period, many new works were composed for percussion ensemble. In 1960, Alberto Ginastera composed the Cantata para América Mágica, for soprano and large percussion ensemble. Carlos Chávez wrote his second such piece, Tambuco, in 1964. Iannis Xenakis composed two percussion sextets for Les Percussions de Strasbourg, Persephassa (1969), and Pléïades (1979), and in 1996 wrote Zythos, for trombone and six percussionists, for Christian Lindberg and the Kroumata Ensemble. Karlheinz Stockhausen composed a children's theatre piece for percussion sextet titled Musik im Bauch (Music in the Belly) in 1975, also for Les Percussions de Strasbourg, and in 2004 wrote a percussion trio titled Mittwoch Formel. The British composer and percussionist James Wood has contributed several works to the repertoire, including Stoicheia (1987–88), requiring over 600 instruments played by 16 percussionists, as well as electronics, Village Burial with Fire for percussion quartet (1989), and Spirit Festival with Lamentations, for quarter-tone marimba and four percussionists (1992).
Read more about this topic: Percussion Ensemble
Famous quotes containing the words world and/or war:
“If a weakly mortal is to do anything in the world besides eat the bread thereof, there must be a determined subordination of the whole nature to the one aim—no trifling with time, which is passing, with strength which is only too limited.”
—Beatrice Potter Webb (1858–1943)
“To this war of every man against every man, this also is consequent; that nothing can be Unjust. The notions of Right and Wrong, Justice and Injustice have there no place. Where there is no common Power, there is no Law; where no Law, no Injustice. Force, and Fraud, are in war the two Cardinal virtues.”
—Thomas Hobbes (1579–1688)