Origins
It was most famously used on June 30, 1949, in commemoration of the 28th Anniversary of the founding of the Communist Party of China. In his speech, entitled "On The People's Democratic Dictatorship," Mao expounded his ideas about a People's Democratic Dictatorship as well as provided some rebuttals to criticism that he anticipated he would face.
Mao reviewed the Chinese nation's struggle since the Opium War, and the failed effort to model China after the Western powers. "Imperialist aggression shattered the fond dreams of the Chinese about learning from the West. It was very odd -- why were the teachers always committing aggression against their pupil?" He concluded that "Western bourgeois civilization, bourgeois democracy and the plan for a bourgeois republic have all gone bankrupt in the eyes of the Chinese people", because of the West's imperialist aggression against China. The Chinese revolution has made tremendous advances both in theory and practice and has radically changed the face of China. The main lesson is twofold: (1) Internally, arouse the masses of the people; (2) Externally, unite in a common struggle with those nations of the world which treat Chinese as equals. On commercial relationships, Mao reckoned that it was the imperialist powers that were preventing China from doing business with the outside world. Once China has beaten the internal and external reactionaries by uniting all domestic and international forces, China shall be able to do business and establish diplomatic relations with all foreign countries on the basis of equality, mutual benefit and mutual respect for territorial integrity and sovereignty.
Mao claimed that after the Second World War, the only "imperialist" power remaining on the planet with any strength, the United States of America, had wanted to enslave the world and used its funding of Chiang Kai-shek and the Kuomintang as evidence of such. Mao, thus, wrote off what he called "Western bourgeois civilization" and instead embraced Marxism–Leninism as the ideology of the Chinese state.
Mao believed that the Communist Party of China must "arouse the masses of the people" and "unite in a common struggle with those nations of the world which treat us as equals", including the Soviet Union. Mao discounts the idea of working with the British and the Americans because both of them were inherently imperialist nations and, thus, had territorial designs on China.
Mao defined the people as being the working class (which will exercise its "hegemony", being represented by the Communist Party), peasantry, the petty bourgeoisie, and the "national bourgeoisie". These classes, he believed, enforced their dictatorship through the CCP over "the running dogs of capitalism" which included landlords and bureaucratic-bourgeoisie (referring to those parts of the landlord class and bourgeoisie connected to the Kuomintang government). He fully embraced the idea of dictatorship because it meant that only "the people" had the right to freedom of speech.
In accordance with Marx's idea of the dictatorship of the proletariat, Mao believed that the People's Democratic Dictatorship would be necessary until the Party withered away and left China in a socialist state of existence (defined by Mao as the society of Great Unity—Datong 大同).
In Chinese, the word ‘dictatorship’ 专政 does not have negative connotation, being dissociated from the concepts that are most close to the Western dictator 独裁者 or hegemon 霸王. In Chinese, there is a large difference in connotation between "专政" and "独裁", but both translate to "dictator" in English.
Read more about this topic: People's Democratic Dictatorship
Famous quotes containing the word origins:
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)