History
Initially assigned to I Corps, in June 1862, the division was transferred to the Virginia Peninsula where it served with the V Corps of the Army of the Potomac during the Peninsula Campaign. The division then returned to its old corps (which was at the time designated III Corps in the Army of Virginia) during the Second Bull Run Campaign. The division's parent formation resumed its I Corps designation just prior to the Antietam campaign when it rejoined the Army of the Potomac. The division participated in the battles of South Mountain, Antietam, and Fredericksburg, particularly distinguishing itself at Fredericksburg, where it penetrated the Confederate lines. Between Fredericksburg and Gettysburg, the division was a part of the XXII Corps assigned to Washington, D.C. It was part of the V Corps again for the Battle of Gettysburg, where it distinguished itself on July 2, 1863, fighting around Little Round Top. One brigade drove Confederate forces from the western slopes of Little Round Top back to the Wheatfield. Under Crawford, the Pennsylvania Reserves continued to fight with the Army of the Potomac until just before the Battle of the Bethesda Church or Battle of Totopotomoy Creek, when the men's three-year enlistments expired.
A large number of the men re-enlisted and became the 190th and 191st Pennsylvania Volunteers and fought until the end of the war.
Read more about this topic: Pennsylvania Reserves
Famous quotes containing the word history:
“Three million of such stones would be needed before the work was done. Three million stones of an average weight of 5,000 pounds, every stone cut precisely to fit into its destined place in the great pyramid. From the quarries they pulled the stones across the desert to the banks of the Nile. Never in the history of the world had so great a task been performed. Their faith gave them strength, and their joy gave them song.”
—William Faulkner (1897–1962)
“All history is a record of the power of minorities, and of minorities of one.”
—Ralph Waldo Emerson (1803–1882)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)