Two Social Critics
Together with MacColl, Seeger founded The Critics Group, a "master class" for young singers performing traditional songs or to compose new songs using traditional song structures (or, as MacColl called them, "the techniques of folk creation"). The Critics Group evolved into a performance ensemble seeking to perform satirical songs in a mixture of theatre, comedy and song, which eventually created a series of annual productions called "The Festival of Fools" (named for a traditional British Isles event in which greater freedom of expression was allowed for the subjects of the king than was permitted during most of the year). Seeger and MacColl performed and recorded as a duo and as solo artists; MacColl wrote "The First Time Ever I Saw Your Face" in Seeger's honour (and did so during a long-distance phone call between the two while Seeger was performing in America and MacColl was barred from traveling to the U.S. with her due to his radical political views). None of the couple's numerous albums use any electric or electronic instrumentation. Whilst MacColl wrote many songs about work and against war and prejudice, Seeger (who also wrote such songs) sang about women's issues, with many of her songs becoming anthems of the women's movement. Her most memorable was "I'm Gonna Be an Engineer". There were two major projects dedicated to the Child Ballads. The first was The Long Harvest (10 volumes 1966 - 1975). The second was Blood and Roses (5 volumes, 1979 – 1983). She visited the women's camp at Greenham Common, where protests against U.S. cruise missiles were concentrated. For them she wrote "Carry Greenham Home". Seeger ran a record label "Blackthorne" from 1976 to 1988.
Read more about this topic: Peggy Seeger
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