Peggy Guggenheim Collection - Collection

Collection

The collection is principally based on the personal art collection of Peggy Guggenheim, a former wife of artist Max Ernst and a niece of the mining magnate, Solomon R. Guggenheim. She collected the artworks mostly between 1938 and 1946, buying works in Europe "in dizzying succession" as World War II began, and later in America, where she discovered the talent of Jackson Pollock, among others. The museum "houses an impressive selection of modern art. Its picturesque setting and well-respected collection attract some 400,000 visitors per year." Works on display include those of prominent Italian futurists and American modernists. Pieces in the collection embrace Cubism, Surrealism and Abstract expressionism. During Peggy Guggenheim's 30-year residence in Venice, her collection was seen at her home in the Palazzo Venier dei Leoni and at special exhibitions in Amsterdam (1950), Zurich (1951), London (1964), Stockholm (1966), Copenhagen (1966), New York (1969) and Paris (1974).

Among the artists represented in the collection are, from Italy, De Chirico (The Red Tower, The Nostalgia of the Poet) and Severini (Sea Dancer); from France, Braque (The Clarinet), Duchamp (Sad Young Man on a Train), Léger (Study of a Nude), Picabia (Very Rare Picture on Earth); from Spain, Dalí (Birth of Liquid Desires), Miró (Seated Woman II) and Picasso (The Poet, On the Beach); from other European countries, Brâncuşi (including a sculpture from the Bird in Space series), Max Ernst (The Kiss, Attirement of the Bride), Giacometti (Woman with Her Throat Cut, Woman Walking), Gorky (Untitled), Kandinsky (Landscape with Red Spots, No. 2, White Cross), Klee (Magic Garden), Magritte (Empire of Light) and Mondrian (Composition No. 1 with Grey and Red 1938, Composition with Red 1939); and from the US, Calder (Arc of Petals) and Pollock (The Moon Woman, Alchemy). In one room, the museum also exhibits a few paintings by Peggy's daughter Pegeen Vail Guggenheim.

In addition to the permanent collection, the museum houses 26 works on long-term loan from the Gianni Mattioli Collection, including images of Italian futurism by artists including Boccioni (Materia, Dynamism of a Cyclist), Carrà (Interventionist Demonstration), Russolo (The Solidity of Fog) and Severini (Blue Dancer), as well as works by Balla, Depero, Rosai, Sironi and Soffici. In 2012, the museum received 83 works from the Rudolph and Hannelore Schulhof Collection, which will have its own gallery within in the building.

Philip Rylands was appointed director of the collection in 2000. As of 2012, the collection was the most visited art gallery in Venice and the 11th most visited in Italy.

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Famous quotes containing the word collection:

    We’ll never know the worth of water till the well go dry.
    18th-century Scottish proverb, collected in James Kelly, Complete Collection of Scottish Proverbs, no. 351 (1721)

    What is all wisdom save a collection of platitudes? Take fifty of our current proverbial sayings—they are so trite, so threadbare, that we can hardly bring our lips to utter them. None the less they embody the concentrated experience of the race and the man who orders his life according to their teaching cannot go far wrong.
    Norman Douglas (1868–1952)

    The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?
    Samuel Richardson (1689–1761)