Peggy Guggenheim - The Collection, After World War II

The Collection, After World War II

Following World War II — and her 1946 divorce from Max Ernst — she closed The Art of This Century Gallery in 1947, and returned to Europe; deciding to live in Venice, Italy. In 1948, she was invited to exhibit her collection in the disused Greek Pavilion of the Venice Biennale and in 1949 established herself in the Palazzo Venier dei Leoni on the Grand Canal.

Her collection became one of the few European collections of modern art to promote a significant amount of works by Americans. In the 1950s she promoted the art of two local painters, Edmondo Bacci and Tancredi Parmeggiani. By the early 1960s, Guggenheim had almost stopped collecting art and began to concentrate on presenting what she already owned. She loaned out her collection to museums in Europe and in 1969 to the Solomon R. Guggenheim Museum in New York City, which was named after her uncle. Eventually, she decided at this time to donate her home and her collection to the Solomon R. Guggenheim Foundation, a gift which was concluded inter vivos in 1976, before her death in 1979.

The Peggy Guggenheim Collection is one of the most important museums in Italy for European and American art of the first half of the 20th century. Pieces in her collection embrace Cubism, Surrealism and Abstract Expressionism.

Peggy Guggenheim lived in Venice until her death in Camposampiero near Padua, Italy after a stroke. Her ashes are interred in the garden (later: Nasher Sculpture Garden) of her home, the Palazzo Venier dei Leoni (inside the Peggy Guggenheim Collection), next to her beloved dogs.

Read more about this topic:  Peggy Guggenheim

Famous quotes containing the words world and/or war:

    During the first World War women in the United States had a chance to try their capacities in wider fields of executive leadership in industry. Must we always wait for war to give us opportunity? And must the pendulum always swing back in the busy world of work and workers during times of peace?
    Mary Barnett Gilson (1877–?)

    Come Vitus, are we men, or are we children? Of what use are all these melodramatic gestures? You say your soul was killed, and that you have been dead all these years. And what of me? Did we not both die here in Marmaros fifteen years ago? Are we any the less victims of the war than those whose bodies were torn asunder? Are we not both the living dead?
    Peter Ruric, and Edgar G. Ulmer. Hjalmar Poelzig (Boris Karloff)