Play
A valid move is to jump a peg orthogonally over an adjacent peg into a hole two positions away and then to remove the jumped peg.
In the diagrams which follow, · indicates a peg in a hole, * emboldened indicates the peg to be moved, and o indicates an empty hole. A blue ¤ is the hole the current peg moved from; a red * is the final position of that peg, a red o is the hole of the peg that was jumped and removed.
Thus valid moves in each of the four orthogonal directions are:
* · o → ¤ o * Jump to right o · * → * o ¤ Jump to left * ¤ · → o Jump down o * o * · → o Jump up * ¤On an English board, the first three moves might be:
· · · · · · · · · · · · · * · · ¤ · · o · · * · · · · · · · · · · · o · · · · ¤ o * · · · · o o o · · · · · · o · · · · · · * · · · · · · · · · · · · · ¤ · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·Read more about this topic: Peg Solitaire
Famous quotes containing the word play:
“But when we play the fool, how wide
The theatre expands! beside,
How long the audience sits before us!
How many prompters! what a chorus!”
—Walter Savage Landor (17751864)
“I would suggest that barbarism be considered as a permanent and universal human characteristic which becomes more or less pronounced according to the play of circumstances.”
—Simone Weil (19101943)
“We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.”
—Helen Hayes (19001993)