Peak District in Literature and Arts
The landscapes of the Peak have formed an inspiration to writers for centuries. Various places in the Peak District have been identified by Ralph Elliott and others as locations in the 14th century poem Sir Gawain and the Green Knight; Lud's Church for example, is thought to be the Green Chapel.
Key scenes in Jane Austen's 1813 novel Pride and Prejudice are set in the Derbyshire Peak District. Peveril of the Peak (1823) by Sir Walter Scott is a historical novel set at Peveril Castle, Castleton during the reign of Charles II. William Wordsworth was a frequent visitor to Matlock; the Peak inspired several of his poems, including an 1830 sonnet to Chatsworth House. The village of Morton in Charlotte Brontë's 1847 novel Jane Eyre is based on Hathersage, where Brontë stayed in 1845, and Thornfield Hall might have been inspired by nearby North Lees Hall. Snowfield in George Eliot's first novel Adam Bede (1859) is believed to be based on Wirksworth, where her uncle managed a mill; Ellastone (as Hayslope) and Ashbourne (as Oakbourne) are also featured.
Beatrix Potter, the author of Peter Rabbit, used to visit her uncle Edmund Potter at his printworks in Dinting Vale. She used cloth patterns from his Pattern Sample book to dress her characters. Mrs Tiggywinkle's shawl, in The Tale of Mrs. Tiggy-Winkle, is based on pattern number 222714.
Children's author Alison Uttley (1884–1976) was born at Cromford; her well-known novel A Traveller in Time, set in Dethick, recounts the Babington Plot to free Mary, Queen of Scots, from imprisonment. Crichton Porteous (1901–91) set several books in specific locations in the Peak; Toad Hole, Lucky Columbell and Broken River, for example, are set in the Derwent Valley. More recently, Geraldine Brooks's first novel, Year of Wonders (2001), blends fact and fiction to tell the story of the plague village of Eyam, which also inspired Children of Winter by children's novelist Berlie Doherty (b. 1943). Doherty has set several other works in the Peak, including Deep Secret, based on the drowning of the villages of Derwent and Ashopton by the Ladybower Reservoir, and Blue John, inspired by the Blue John Cavern at Castleton.
Many works of crime and horror have been set in the Peak. The Terror of Blue John Gap by Sir Arthur Conan Doyle (1859–1930) recounts terrible events at the Blue John mines, and Sherlock Holmes investigates the kidnapping of a child in the region in The Adventure of the Priory School. Many of the horror stories of local author Robert Murray Gilchrist (1878–1916) feature Peak settings. More recently, Stephen Booth has written a series of crime novels set in various real and imagined Peak locations, while In Pursuit of the Proper Sinner, an Inspector Lynley mystery by Elizabeth George, is set on the fictional Calder Moor.
Other writers and poets who lived in or visited the Peak include Samuel Johnson, William Congreve, Anna Seward, Jean-Jacques Rousseau, Lord Byron, Thomas Moore, Richard Furness, D. H. Lawrence, Vera Brittain, Richmal Crompton and Nat Gould.
The landscapes and historic houses of the Peak are also popular settings for film and television. The classic 1955 film The Dam Busters was filmed at the Upper Derwent Valley reservoirs, where practice flights for the bombing raids on the Ruhr dams had been made during World War II. In recent adaptations of Pride and Prejudice, Longnor has featured as Lambton, while Lyme Park and Chatsworth House have stood in for Pemberley. Haddon Hall not only doubled as Thornfield Hall in two different adaptations of Jane Eyre, but has also appeared in several other films including Elizabeth, The Princess Bride and The Other Boleyn Girl. The long-running television medical drama Peak Practice is set in the fictional village of Cardale in the Derbyshire Peak District; it was filmed in Crich, Matlock and other Peak locations.
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Famous quotes containing the words peak, district, literature and/or arts:
“Sleep shall neither night nor day
Hang upon his penthouse lid;
He shall live a man forbid;
Weary sev’n-nights, nine times nine,
Shall he dwindle, peak and pine;
Though his bark cannot be lost,
Yet it shall be tempest-tossed.”
—William Shakespeare (1564–1616)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and given them an idea of something better. A better state of one’s feelings or simply the idea of a silence in one’s self that allows one to think or to feel. Which to me is the same.”
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“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)